PORTFOLIOS

• How do I get photographers to shoot for my portfolio?
• Where can I purchase a professional quality portfolio (I can't seem to find one locally)  What size photos do you recommend for the portfolio?  Do you recommend having two or more of the same?
• Are bridal photos ok for a portfolio?
• How often do you update your portfolio?

ASPIRING ARTISTS

PRODUCTS & TECHNIQUES

BUSINESS PRACTICES AND FINDING WORK

MODELING INFORMATION

GENERAL

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Thank you so much for your website. It is so nice to have an established artist to talk to.

Katherine B

You can switch to a cream shadow and eliminate the problem. You can also dampen your synthetic brush (NOT A REAL HAIR BRUSH) and make a paint out of your powder shadow. I do this with the Camera Ready Shadow at www.CameraReadyCosmetics.com.

As far as dark circles; the best thing to use is neutralizer NOT CONCEALER. I suggest unless you have dark skin, Cinema Secrets Pallet 1 or 2, blue neutralizer/ Orange Highlight, this is sold in my makeup store at www.CameraReadyCosmetics.com. Good Luck.

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Noelle Andraos

The best I believe would be Celestine (www.celestineagency.com) and Cloutier (www.cloutieragency.com). Sorry I don't have a web address for them. Most other agencies won't get you the money you can make on your own, they just don't have the clientele. Zenobia (www.zenobia.com) does provide a friend of mine a few jobs a year and they are non-exclusive so that's worth a try. The only agencies I can think of at the moment that I would sign exclusively with would be the Celestine and Cloutier.

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I really enjoy your site. You are very informative and I also like your work a great deal... I have a question about how to 'solicit' celebrity clients. I have means to their agent contacts etc., and want your opinion on what the best way is to get their attention. Also, do you think that offering them a freebie makeup application (so they can see if they like you), is a good or bad idea? I have all the tools and marketing resources I need. Just need this question answered by you the expert :) I appreciate any help you can offer me....

Roseangela

You really can't solicit celebrities, they usually land on an artist through word of mouth. Sometimes they work a job and really like the artist and then ask for the same artist on other jobs. Offering a freebie to a celebrity won't work, money isn't an object with them and they do not normally pay the makeup bill themselves. What they want is someone very good and fast and someone that they personally get along with well. Contrary to popular belief, most celebrities do not have their own artist. Remember celebrities travel a lot and the artist could not have another life if they were just the artist to this one celebrity. Your chances of getting to work with celebrities would be better if you had a major makeup artist agent in LA, that's where most artists get the good jobs with celebrities.

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I love your site and all the great information for new makeup artists. I would like to know what foundation you like for a dewey finish. I'm trying to build a book with a variety of looks with different skin textures. You can see examples of my work below. I'm trying to work in the New York market. 

Fiona
Washington DC

Hi Fiona - I can't believe you are asking me! your work is incredible! I use a bit of liquid foundation mixed with just a tad of tan pigment, or I coat the top of the face (highlights) with face gloss.....I have done both. Many major brands have Face gloss and pigments. Good luck!

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Elizabeth Francis
Kutztown, PA

Hi Elizabeth. A college degree will not help you as an artist unless you get it in marketing and you use the degree info to market yourself. Most people that call themselves makeup artists are doing other jobs, makeup counter work, clerical, waiting tables, a number of jobs to pay the rent.

The field of makeup artistry is very similar to the field of acting. Most never make it, a few make a living doing tedious, unglamorous makeup work, and even fewer get the glamorous fashion, magazine cover type work, the music videos and celebrity gigs. A lot of it has to do with talent but that has to be mixed with a bit of very good luck and the ability to schmooze and get along with people. Unless you are in a major market and have a very good agent you will probably never get much of the glamorous work. Also, like acting, the 'artists of the moment' are very rarely popular forever; the field is very fickle. Even those on the top have to fight to stay there and most will lose their popularity once the industry decides they are 'has beens' this is an industry that thrives on the young, new talent, which is only good if you are young and new, remember, nobody is young and new forever. I am trying to paint you an accurate picture, as you asked for a dose of reality. I love this career but I am in the group that makes a living doing mostly very unglamorous work because I am in a market that really is small and conservative. I make more then a lot of artists because frankly the unglamorous work pays well and is abundant. I don't however think it is what most artists bargain for when they dream of being an artist.

My suggestion is to get a degree and try the field of artistry, if it's not for you, you will have that to fall back on and it sure can't hurt you.

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Shelly
LA

See my article on TFP, which explains how to get prints..... If you are talking about getting prints from a photographer who actually paid you for a job, forget it, it's not part of the package. If you are concerned about getting paid by a client or photographer I would first ask you why? Is the client/photographer shady? from out of town? If you do not trust a client or photographer to pay you, I suggest you do some research before working the job. Find out who they have worked with in the past, what production people...and then ask the production people how the client pays. Most people who have not paid artists are people that make this a practice and so by doing a bit of research you can find out. If its a shoot for Nike or Gap, chances are you will be paid....If it's a shoot for a wannabe model you better get your money way before you crawl out of bed the day of the shoot. If the shoot is for a big client like Nike, don't start fretting about your payment until 60 days has past, then make a call, these large clients go through agencies, your invoice has to go through a lot of people before you finally get paid. 90 days is not unheard of. If you are ever asked to cut your rate, you can negotiate with payment, I would insist on payment day of the shoot if you have discounted your rate at all. Hope this helps.

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Joyce
Southern California

I recommend the tall aluminum makeup chair with the pouch under the seat. It is light weight, comes with carry strap and costs under $100.00. You can call Naimies and they will ship it to you, or visit their site at Naimies.com.

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Jennifer
New Hampshire

You will end up spending approximately $1,500.00 on your kit and if you go to school full- time the cost is about $4,000.00; which varies depending on the school and classes you take.

The key is to build a really good portfolio. (The portfolio itself costs about $250.00.) Your portfolio is what gets you work and it has to be competitive with others who have been in the business a long time. You will most likely have to work for free for about 2 years to build a good portfolio. You’ll have to start with mediocre photographers to test your skills and then work your way up to better photographers and better photos. As you build your portfolio, you will gain experience and spend time carefully studying your test shots and figure out how to make your work better. As your work gets better, you will be able to convince better photographers to test with you.

To work in the music business you need to be in LA or NY or TN (that is my assumption though there may be other places with a good music market I don't know about). However, in my opinion, you don't need to go to school to work in that field. I suggest you take a few basic makeup classes (1 day type classes that focus on the areas you need help with). I also suggest you assist a good artist and watch her or him, learn all you can from watching others and asking questions.

Your goal is the goal of many good artists; the music industry is a big draw for young new artists. Your competition is fierce to say the least. To make it in this part of the industry you will have to be VERY skilled and you will need a good, quality agent. Until then you will need to know how to network and market yourself. I suggest you take classes in marketing and join networking type groups that will help you meet people in the industry you want to work in. I also suggest you call a few of the artists doing this kind of work and ask them to allow you to clean their brushes and carry their bags for free, this will get you in the door and allow you to be on the job and see what you really need and what it’s all about. Be sure to email the artists in your area. Also, check out the message board at MakeupArtistChat.com there are a lot of artists there and you can ask lots of questions. Good luck to you.

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Now, a few days after they booked me for this I've had another offer for a magazine editorial shoot for the first rain day. What can I do about this? I can't turn down two days of work in case it rains. Is the photographer meant to pay for rain days? I don't! I really want, and need to, take the magazine shoot.

What's your take on this?

Anonymous
California

Rain days are not days anyone will pay you for and they are not days you should give up other paying work for. What I do is let the client/photographer know that I have been offered another job on the scheduled rain days but do have a back up artist for them standing by should they need one on those days. You then should find a back up artist that is available those days, someone you trust to do the same kind of job you would do.

Most people in business understand that when you are booked for work that pays, that will always take priority over rain days. Another note.......If you are offered a job on the date of the shoot you should let the photographer know before you take the other job that you are preparing to turn down a job on such and such a date and that you now need confirmation that the job is a definite go because now you will have to charge his client a 50% cancellation fee if the shoot does not happen on that date. Good luck.

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Thanks so much-you really helped me get grounded and focused on the things I really needed to concentrate on.

DeShawn Hatcher, MUA

First lets talk about editorial work, this is the lowest paid work in the industry. You are talking about $100.00 to $400.00 for a full days work in most cases. Local magazines pay about $100.00 and national about $400.00. Lets suppose you know that and are willing to take the low pay for the editorial recognition, that's fine, I do that at times but this will not pay the bills and it is work that is very sparse. Nobody makes a living at editorial work.

Now that we have that cleared up, here is how you get that work.

Go look at the magazines you want to do and right there in the credits you will see who is shooting for the magazine, you need to contact that photographer and beg him to let you do the next editorial with him, remember you will be in a long line of begging artists. Then, contact the magazine, you will see addresses and phone numbers in the magazine near the front. You need to contact the powers that be and let them know you are looking to do their next editorial lay out. This will take a lot of negotiating; you need to really get to know these people! This is not easy work to get. Most of the national magazines go through agents. ONLY agency artists usually get those jobs. You will have an easier time getting a local magazine gig. Good luck let me know how it goes.

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I am writing about the article on Makeup Schools. I am thinking of attending the Westmore Academy and I was wondering how it rated with the graduates you spoke to.

I have been trying to research the business aspect of being a make-up artist. If you have the time, I would greatly appreciate hearing from a professional if my career goals are realistic. I can only afford to take on the student loan debt if I can expect to make some decent money in my first years in the business. Is that possible, given the nature of the business?

I work in regional theatre as a director and designer. I love it, but regional theatre is a tough job if you are interested in the little luxuries of life like decent healthcare and a car that runs. I am a mask designer (www.alyssaravenwood.com) and I have been thinking that pursuing a career as a make-up artist would be a way to add to skills I already have and a good way to break into the more financially solvent worlds of film and advertising. I am not looking for a full-time career. I would like make-up design work 6-8 months out of the year.

I am confident in my artistic abilities and my networking skills, my doubts are about the industry. I have heard gloomy tales of having to work for free in order to break into the biz and long periods of unemployment. I have heard glamorous stories about people earning $500 a day and $150,000 a year. I have not been able to find any practical information about the financial realities of the business. Neal Raffler the admissions rep at Westmore Academy told me that after graduating you can get a job that pays $25-$100 an hour and people working at an assistant level can make $40,000 a year. But he is a salesman for the school, do you know if graduates of the Academy have done as well as he claims?

Alyssa Ravenwood

Thanks for you compliments on my work! I saw your masks and they are great! you do nice work as well.

The following advice to you is with the assumption you are interested in Beauty/straight makeup. If you are interested in FX, that is not my area of expertise and this would not apply to you.

Now, to answer you question about makeup schools and taking on debt. We have a big problem right now in the industry, that is too many artists for too few of jobs. I am a bit concerned with the influx of new artists that the schools are putting out into the world. Most artists like actors do not make a living in the industry. There are very few people who make more then they spend in this business and that's the truth I wish the schools would give you, I don't think most of them do.

Is this influx of new artists good for the industry? yes, in a way it is. It creates a lot of competition and that results in higher standards overall. It does tend to drive the prices down for artists and that in the long run will make this career less attractive for all but the people that really love it and are willing to do it for the creative outlet and not the money.

So, my suggestion is never to go into debt this way, chances of you paying it back with money you make in this career is very slim. I worked free for the first few years as most artists do, working free means you have to have some outside support and be able to treat this as a hobby for a while. Without this luxury most will never last. Testing and building a book does take a few years, you will never leave a school with a book worthy to show clients, you have to test with great photographers and models. I am sorry but they are not a part of the makeup school system.

As for claims of assistants making $40,000 a year. Never seen it. Not going to say it doesn't happen but that is not what I have seen. Most assistants work free. Most established artists make about $30,000 to $60,000 a year, after about 5 years and this is before expenses. Now a few top artists in the industry make 6 figures, have top agents and don't answer their own phones. This is very few, its like being Tom Cruise in the world of wannabee and even good actors in the world.

So, here is my advice if you do not have the time and money to spend in school. Follow around and assist a good makeup artist in your area. Yes, you will have to assist free. Find out if this is really what you want to do, get this person to teach you makeup, in exchange for free assisting a lot of artists will do this. Then get out there and get some experience with weddings and prom girls, this is instant money while you get experience. That's what I would do and in fact this is what I did do.

Good luck to you!

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Tiffany

I suggest you work with established photographers, the best photographers you can get. Usually they can get the models. If you work with students, you may not get good photos. Sometimes student photographers are all you can get when you are brand new and that is better then nothing, it will give you practice for one thing. Established photographers can use model clients and offer you to the model free as a beginner and sometimes the model will go for it, expect her to watch you closely and change a lot of your work in this case. Go to your local modeling agency and ask them what photographers shoot their models, they should have a list. I would then call the list of photographers and tell them you need photos for your book and would be willing to work free as long as the model is real good, don't leave out this last part. Model must be good to work free, you don't want B models in your book (Tell the photographer that you don't want Glamour and nudes because this is for your book). You should pay the photographer his price for the photos but with a good photographer and a good model you should get some good stuff. Good Luck!

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Kristin

Mac knows you can learn to do makeup no matter who you are. My guess is they want to see you interact with the client. Be friendly, and explain every product you are applying as if it were just invented and the greatest thing to hit the planet. Appear comfortable as you apply the makeup and put your client at ease with chit chat about her!!! ask her questions like, what are your favorite eye shadow colors? compliment every nice feature, "you have beautiful cheek bones, MAC Desert color will be perfect to play them up" you get the picture. They are not looking for a great artist, they are looking for a great sales person. Practice with one of your friends in the chair as you apply makeup. The colors you have chosen I am sure will be fine, just blend well, and be a perfectionist, don't let nerves prevent you from doing a job you are satisfied with. You might even explain if you are nervous that "I am very nervous because this job means a lot to me, so please excuse the shaky hand". Keep in mind MAC artists do not make a lot of money, it's a pretty lowly job as an artist, you're in fact not an artist, you're a sales person. Good Luck!

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<Posted question on message board>

Ok, here are some terms you may hear:

Last looks = get in there and do your finishing touches they are going to start rolling camera.

Finals or Final touches = See last looks above

Speed = the cameras are on and waiting for the rolling command

Rolling = you will be severely reprimanded if you make even the tiniest noise after this call, they are filming.

What's your ETA = "When the hell are you going to be done, talent has been in your chair over 5 minutes!"

Hot Spot = if they are talking to makeup, they mean a shiny place on the face

Dailys = what was shot that day (film, video) usually used when doing TV and film (the producers will review it)

Talking Head = you will just have a upper body type of shot, think TV news interview inset interview.

On location = anywhere not right in the studio

Its a wrap = The shooting is over for this project (completely)

One more for safety = they will do a retake of the last segment or shot just to be safe

One last time = NEVER means one last time - Probably like 10 more times

Key= the one in charge of makeup or hair or both, Key makeup and key hair are normally separate people

Set kit = the kit you carry with you out of the makeup room

Kit fee = fee you will get for your product usage, this is a TV/VIDEO/FILM practice and not commonly found in the print business

Tear sheet= ad or magazine page you will put in your portfolio

Eye candy = the chick added to the group of guys or back ground girl added to the shot to get attention, like the girl in a bikini holding up numbers at a boxing match.

Clean makeup = they don't want to see the makeup, very natural

First hold = client has a hold on you for a makeup job, you will notify them if you get another offer, at that time they need to confirm or let you go

Call time = time you need to be at work

Craft Services = the people that provide the munchies (the most important people on any shoot)

Mike the talent = the sound guy is going to hook a microphone to the talent

Continuity = you need to make the talent look exactly like they did in the last shot in this particular scene, even if its 2 weeks later, better take good notes and a Polaroid!!! DIGITAL if you're reading this in the modern ages

Check the gate=in video/film the camera man will check the film before moving on, to make sure the last shot was good.

Gels = the photographer and the TV camera crew put film over the lights that will screw up your makeup (usually used in-doors). when they use blue they hate you and want to make you look bad

Blow him out or blow her out = the lighting is so bright the talents features will disappear; better use more color and contour.

HDTV or High Definition TV = you will forget everything you know about makeup, you now have to make the person up so that they look great to the naked eye - what you see is what you will see on the TV or film.

The model needs some CFM shoes = If you don't know what that means you're better off! High spiky strappy shoes that you might see on a hooker.

Glamour shoot = one where the model has a great figure and the photographer is going to try to see more of it. Ok, now I have offended all the photographers on the board, I will add that the model is usually going for this look and the photographer has grudgingly agreed to do the shoot. There is usually very little money in this for the artist.

Artistic nude shots = see glamour (above) with different lighting.

Money shot= In photography this is the shot that will bring in the money, the cover shot, the best shot.

Beauty shot= when shooting a product, this is a shot of just the product, no models or talent. When a people photographer says "beauty shot" it's a close up head shot usually.

Martini= last shot of the day

Abbey Singer= shot before the martini

Stepping in= what you say when you are stepping on to the set in front of cameras - NEVER do this while they are rolling

FLASHING= ALWAYS say this on set when you are taking any kind of flash photography, and say it loud enough for people to hear you- otherwise be prepared for a lot of angry faces and reprimand.

Losing light= means that you are using the natural light available for the shot and time is running out to get the shots required.

Closed set= only people who need to be on set are allowed on set

Lock it up/ locking down= they are moments away from starting, so now is not the time to go to crafty.

Turnaround= can mean two things: 1) the camera is moving to shoot the other side of a scene or 2) the amount of time you have in between shooting days.... for example you can have an 8 hour turnaround

Forced call= you mostly will find this with union projects- basically depending on your contract, you are guaranteed a specific number of hours in your turnaround- so say for instance you have an 8 hour turnaround and production gives you a forced call (cha-ching) and you only get a 7 hour turnaround- they will pay you extra for the time they cut into your turnaround- a.k.a. forced call

HOT POINTS- this means that somebody, somewhere is moving something that can hurt you, and being on a set, they are moving it quickly- ALWAYS move out of the way when you hear this. Don't expect please or excuse me's- just move- it's for your own safety.

Video Village- the group of people that sit around the monitors- if you can get a seat there, make sure all the other higher ups have gotten their seats- typically vanities stand at video village.

shooting on spec= This is not just a makeup term but a general term used mainly in photography and what it means is that you are probably being asked to work free and if the ad sells they will pay you....these never sell and you never get paid.

Advertorial= this is an editorial where someone is actually using it as an ad.... it's like brand placement you see in film and TV but in print.... If someone shows up on your editorial and insists that you use this or that product in the photo it's probably an "advertorial" and you should be making more money (full commercial rates). The magazine can choose to use their sponsor's wardrobe and that's smart but when they start insisting that the model wear "this exact necklace" or "this purse must be in the shot" regardless of how it flows, you are probably on an advertorial shoot. The biggest difference is where the money comes from. In an editorial the magazine pays for the crew, in an advertorial the magazine may agree to add the sponsor's product if they buy an ad in that magazine or pay them in return for product placement, this turns the editorial into an advertorial.

Hard out = the talent and/or crew needs to be packed up, cleaned up, and ready to go at a specific time, and not a minute later.

Grace = when production asks you to delay your specified meal time so they can finish up a scene or shot before the crew breaks without incurring meal penalties (i.e. paying you extra).

We'll fix it in post = We will fix it in the editing process/ We're too lazy/pressed for time/ inexperienced to fix the problem now, so we will hope and pray that no one notices in the final product. If anyone says this to you, don't believe them... fix it now if you can.

Sorry these are not all makeup terms but terms everyone needs to know.

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A set bag is a small makeup case (or it can be a bag). I use a mini case. My set kit has the following (these are not taken from my regular kit, these are always in the set kit, duplicate products):

This all fits in a tiny kit, that's all you need for touch ups on location.

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Anonymous
Los Angeles

My editorial rates depend on who the client is. National Magazines pay anywhere from $200.00 to $350.00 for a photo shoot that lasts anywhere from 2 to 8 hours Local magazines pay about $50.00 to $250.00 for a shoot. The compensation comes in the fact that they put your name in print in the magazine.

An editorial job is a magazine shoot. Just about anything you see in a magazine that is not a specific ad for something is probably an editorial jobs. They shoot is put together by the magazine and are paid by the magazine, usually to accompany and article.

A commercial job is a job where the client hires you, for example you are hired by Sony for a magazine ad or hired by Jack In The Box for a newspaper ad. These jobs pay the highest day rate usually. In San Diego about $600.00 per day in LA about $800.00 per day (up to 10 hours)

So if your working for the ego gratification, editorial is what you want, if you want cold, hard, cash you want the commercial work. Not as fun but pays the rent.

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Do you do all the peoples makeup in the pictures or do you just post it online? If so i think u should put on your website tips for makeup. That would be a great help. Thank you.

Taylor 16

Yes I do all the makeup on photos I post. I would give tips on the page but it is hard give a general tip that would apply to everyone. If you have any specific questions on application I would be happy to answer them.

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This is a subject I have honestly been trying to avoid on my Q&A page but I have so many letters like yours that I think it is time I give my opinion on the subject for all to see. I have been trying to avoid it because I know a lot of good artists that sell makeup of one kind or another. I do not know of any professional artists that sell makeup they do not use on TV, Film, or Print work.

This last sentence is the key. If you are a professional artist doing TV, Film and print work you know that you cannot use just any makeup. BeautiControl, Mary Kay, Avon and other makeup lines such as these just won't work. The pigment isn't right, the colors are not right and they don't work in a professional environment, How can you sell makeup that as an artist you know is not the best for your medium (print, TV, Video, film, etc.)?

NEVER try to sell products to clients you will meet as a professional artist (when you are on a paid job) this will get you fired.

If you still want to sell BeautiControl email Olga at olgabeauti@home.com She is the one I would sign up with if I were going to sell any products. Don't just sign up with anyone. You need the support of a person who is ethical and kind, I know that Olga would be a good leader and would give you the support you will need.

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These are the foundations I have in my kit:

Cinema Secrets Palettes 1,2,3,4,5,6,7,8,9,10 this covers every possible skin color in easy to use pallets (you can find these at the Makeup Store)

I only use cream. I do use moisture with cream if cream seems to heavy for the person but I stick with cream, it's easier to tote around I like working with cream better then liquid as well because I can turn a cream into a liquid but can't really turn a liquid into a cream.

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Risa

Have you added yourself to the Makeup Mentor page as an assistant?  if not, do that first and contact a mentor in your area. Let them know you are willing to work for free for a while so that they will see you are worth working with. When you are ready to work on your own then you need to visit people that are in a position to use you. When you are new it is easier to go for smaller projects like independent films etc. Visit small time photographers to get experience. In my opinion and in my experience beginners make a lot of mistakes that are best made with small jobs and not big money jobs. You will ruin your reputation with potential clients if you take them on before your ready. Your best experience will be with high volume, fast paced work like a photo studio doing senior makeup, or bridal parties, or a small film doing the extras, anything that allows you to do a lot of makeup one after another.

You will know when you are ready to move up the ladder but don't move until you know your ready. The biggest mistake you can make is to take on responsibility you aren't ready for and getting a bad reputation. So take it slow and start small, your education has just begun. Good luck to you.

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I am interested in becoming a make-up artist, and I am interested primarily in print work. I am in Seattle, but plan on attending school in LA. How essential is to live in NY or LA when you are in this business? I would like to stay in Seattle, but I want to make sure there will be enough work for me... Any advice is appreciated!!
Thanks so much!

Natalie
Seattle, Washington

You can get work in Seattle, you will just have to be liked better and be more valuable to clients then the people already there. There will be work but of course not as much as LA or NY. Keep in mind there are not as many makeup artists to compete with either! Being in a smaller market can have advantages. My advice is to stay and establish yourself where you want to live and though it will take a few years you can do it. Concentrate on being the best at what you do and being valuable to people you work for. Good Luck.

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Gemma

If I had to do it all over again, I would get a degree in marketing with a minor in Art because what you’ll really need is to be a good business person - even more than a good artist. Most artists freelance, this means we are our own boss and have to know how to do everything; including billing clients, advertising, etc. I’d say stick with it if you love it because it is a great and fun career!

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I would like to start submitting résumé's to try to get involved in films and TV productions and music video's... I'm not sure exactly what to do....I do not know what information to send... do I send my resume with rates???  do you have a typical letter that you send??? Is it possible for me to look at it???? I hear a lot of talk about the union... but still no one really gives me really any clear information....

I've come a long way, trying to establish myself in this industry....but I do not have anyone who I can go to for advise.. all of the people I know are photographers, their advise gets me so far, but are still left with a lot of blanks that need to be filled in....

Mélanie Manson
Los Angeles

Your work is awesome. I do not suggest that you send letters out or resumes. Call and ask for an appointment to show your book. Call only top people and forget the small-timers. Bug the top people until they will see you then show them you book and make a good impression. Keep calling them if you have to. When they hire you.... be awesome, early, and always reliable and make everyone comfortable while your working. Keep in touch with your good clients. Make friendships with other artists so they will refer you when they are busy, this is very important! Make sure all the other artists like you and view you as a team player. These are the things that matter even more then how good you are. GET OUT THERE! And good luck.

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Kim
Virginia

I use an 11X14. I got my portfolio from House of Portfolios in New York (212-206-7323). Others I hear are good, Brewer Cantelmo in New York (212-244-4600) and Advertisers Display in NJ (www.adbportfolios.com, 800-489-3246). I have my name imprinted on the front, and I think the book cost around $200.00 four years ago. I suggest getting the best quality that you can afford - cheap looking books do not impress most clients or photographers. I have 3 portfolios: one for commercial clients, one for photographers, and one editorial. You really need to gear your book to what your viewer is looking for. A photographer looks mainly at the photography and not makeup and hair. A catalog client looks at your overall style to see if it is fitting for their image. Regular people such as brides love "Before and Afters." You should only have "Before and Afters" in your bridal book, if you do brides. Good luck and I hope this helps.

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James
San Diego

A makeup kit is given to you at some of the schools and is included with the tuition. If you decide not to go to a school, or if you would like to get your own kit together, you will need to decide first what you will need in the kit. Here is a kit I put together for the beginning artist, it has all the necessities. The best advice I can give about a kit is that you need to keep your portions VERY small. A lot goes into a kit and it can get heavy and hard to lug around. I carry mini-portions of everything in my kit and I restock it often. Palettes are important. I also have a set bag that is always packed and ready to go. A set bag is what you take on location. Let's say you are at the studio doing makeup and everyone decides to run to the park for a couple of shots. You have no time to pack a bag; you must always have a set bag packed and ready to go. The set bag would be everything you need on the set - powder, blush, lipstick, hair brush, hair spray, sponges, brushes (just a few), tissue.

Everything you carry should be in palettes if possible. RCMA. Graftobian, Cinema Secrets, and Yaby have almost all products in palettes. Also loose powders can be transferred to small plastic containers that are stackable. Pressed powders work best for on set touch ups.

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JJ
Los Angeles

I am not familiar with upscale salons in the L.A. area. I do know that most successful artists are in the film and print industry and not in salons (but there are exceptions, I am sure). If you want to get practice and knowledge in the industry then I suggest that you do as much hands-on makeup as possible. Do weddings, proms, work a makeup counter; work where you can do a lot of faces. You can also sign up as an assistant on MakeupMentor.com. I use assistants about twice a month, and I think there are other mentors that will use you occasionally as well. My problem with the salon idea is that I am afraid you will not be learning from artists that are doing the work you aim to do, if you are interested in film, print, etc.

You also need a license to be in a salon, which means that you need to go to cosmetology school - and that will not help you as an artist at all. If you want to be an esthetician, your place would be a salon, and you would need to go to cosmetology school.

Good luck to you!

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Just wanted to ask: What do you recommend a makeup artist should include in their kit?

Noelle

I am asked this question so much that I have sat down and gone through my kit and here is every item in there. Hope it helps.
Items with a "***" are available at my on-line store (www.themakeupartist.com/shop/)

Tweezers
Sponges cut (good quality)  ***
Disposable razors and shaving cream (small can)
Cotton swabs
Moisturizer (small bottle)
Foundation Cinema Secrets in pallets (number 3, 5, 7, 9, 11)***
RCMA Foundation (Shinto Pallet and KO Pallet)***
Lip stick (20 colors Cinema Secrets, in pallets) ***
Camera Ready Pallet of high pigment blush ***
Camera Ready Pallet of shadow ***
Gel Eye liner Black and Brown (Camera Ready Cosmetics)***
Fake lashes, individuals and #53
Brush cleaner (small bottle)
Fingernail Scissors
Lash glue (duo only)
6 loose powder colors from white to black (in stackable containers small) ***
Mascara brown and black waterproof
Disposable mascara wands
Bruise wheel Ben Nye
Visine
Lip pencils 5 to 10
Stipple sponge
Black cream and white cream makeup (clown)
Hair clips
Brushes (a couple of full sets) Italian Badger hair ***
Nail polish remover pads
Comb
Eyeliner pencils (about 5)
Eye lash curler
Lip glosses - 5 to 10
Water small bottle
3 to 5 liquid foundations (small bottles) light medium and dark for mixing
Pencil sharpener
Camera Ready oil Control Blot powder (colorless) ***
Facial cleanser (small bottle) or pads
Toner (small bottle)
Eye makeup remover (small bottle)
Vaseline for lips
Cotton rounds
Cotton Swabs
Kleenex
Altoids
Round powder puffs (velour)
Wet ones (unscented)
Pallet of Neutralizers by Cinema Secrets number 2 ***
Men's cheek color cream and women's cheek color cream
Clothing clips (found at office supply stores)
Oil blotting papers
Eye Shadow Pallet (Camera Ready Cosmetics)***

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My name is Shalcy Robins. I was wondering if you could tell me how much a fashion stylist makes. I am very interested in working with fashion; I need to know this information because I am doing a school project. I you might know can you please tell me what the beginning salary is and also the highest amount you can get paid being a stylist?

Shalcy Robins

Working as a stylist can be freelance (self-employed) or you can work for someone else. You will usually make what you are worth to whomever you are working for. The range is wide. I know people working for minimum wage out of school and I know people that have never had formal training that make over 6 figures a year as stylists. Being a stylist is like being an artist, the majority are not well paid; thus the term “starving artist”. A few will make a living at it and fewer still will get rich.

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First of all I want to say thanks for sticking up for makeup artists that live in the valley! I love your site, its great! My question is, how do I break into doing makeup for music videos and CD covers? Who do I deal with?

Karina

I do not get much of that type of work here in San Diego. I suggest you check the 411 directories or one of your local production books. Usually photographers use their regular makeup artists for CD covers. Get in with a few good photographers, do small projects with them and when they get the good work they should call you. There is a lot to be said for loyalty; you need to grow with the people you work with. If you see potential in a photographer stick by him or her like glue and he or she should do the same when the good work starts coming their way. This is how I have done the 5 video covers in my portfolio.

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I live in Morgantown, West Virginia, I can travel to school to become a makeup artist but there is really nothing around. DO you have access to schools in PA., or even know of any?

I would like to do bridal makeup during school for added experience, but do I need a license and how would I get one?

Can I build a portfolio from a bridal work? It wouldn't be professional but I don't know what else to do.

I am sorry I know nothing about the schools in PA but do check out the teacher’s credentials at any school. You want to learn from someone who is good and successful. You can check out MakeupLessons.com and see if there is anyone in your area, that would be my first move.

You do not need a license to be a freelance artist for the entertainment industry in California. You do need a license to work in a salon. You need to check the laws in your area, they are different in each state.

No, you can’t build a portfolio from bridal photos that you can show clients unless those clients are brides. Your portfolio should be made with real professional models and real good photographers.

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Giovanna
Goldau/Switzerland

Thank you for your kind words. I wish I could help you with a school. I do get this question a lot. The schools are changing all the time, one school is the favored one week and another the next. I would look at the instructor’s credentials at each school. There are a lot of cases where “those who can’t do teach!” Not always of course but do look out for this.

Keep in mind that a very good artist makes a lot of money and schools are not going to pay this kind of money to a teacher; they would go out of business. So who teaches? That is the question I would be asking. Unless the school has instructors that are well known in the field they teach you are going to need more training then what you will receive at any school so don’t look at school like the last step into your career, look at it as just one step of the learning process should you take that road. I would choose a school by the instructor’s credentials. The instructors should have a great resume and portfolios and they should be on line (not hidden from the public) they should be well known in the makeup world. You should verify this by checking out the credentials of the instructors. I would also insist on the instructor I was promised, schools have a reputation of switching teachers on the students, they also have a reputation of exaggerating the instructors resume, if its not on the internet for the world to see I would question it. I would opt myself for private tutoring, this is how I learned; I am not a group learner. Try MakeupLessons.com for instructors in your area if this is of interest to you.

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I update my portfolio every time I get a great new photo I love. Some of the stuff I have is very old but if I like it better then anything new I keep it. The rule is, no more then 15 awesome photos. You are as good as the weakest image in your portfolio. When your book is being reviewed that is the photo most people look for, that tells the viewer what you consider your best work and what they can expect out of you at best.

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I like Freelance work, but I really don't like doing hair much, is it not likely I will find work if I won't do hair, or if I will if I am not as good with hair as with make-up?

Anonymous

In a small market you are better off if you do both, I have yet to meet any artist that does both real well, everyone is stronger in one art then the other (in my circle of acquaintances anyway) I consider LA and NY the only markets in the USA that you can get away with doing just makeup and still make a living. To be honest, I don't like hair much either but over the years I have gotten pretty good at it. You have to work at it and have some freedom to play, so do it when you are testing or just play with hair whenever you have a willing subject. Don't be afraid to make mistakes! I have also found that classes do a little good but not much, you really have to just get it there and have fun with it. Look at photos and see if you can copy the hair you see. You would be surprised at how easy some of the stuff you see is. Good luck to you.

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Make sure your subject is facing the light head on. Make sure one side of the face is not in shadow. Make sure also that you stand at the side of the eye you are doing. Do not try to reach over from one side of your subject to do an eye on the other side. It helps some artists to have their subject face a mirror and then look into the mirror to see if the eyes are even. This does not help me, I never use mirrors for anything, not even hair. I hope this helps some. A lot of artists share this problem and I wish I could pinpoint the problem. Try the approaches I gave you and see if you can figure it out.

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Anonymous

This is the formula to judge an agency; if even ONE of the answers is yes then you do NOT have a good, legit agency.

Did you answer yes to any of these questions? If you did you need to keep hunting for a good agent!

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I get the impression you really enjoy what you do. What are your top 5 loves and hates of this profession?

Pam

I have a lot of loves and hates in this profession. I will start with my dislikes, the word hate is too strong, I do not hate any part of my job. I dislike:

I Love:

I love to be my own boss and work when I want and charge what I feel I am worth.

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I think your site is great and I thank you for sharing your knowledge! My question is; how do you achieve the look of a flawless complexion?! (as I've found, even professional models don't always have great skin) What products and brands would you recommend for concealing and managing skin imperfections (for light-dark complexions)? Thank you soo much!

Rebecca
NYC

That flawless look you see in magazines is usually a model with great skin to start with and if she does have discoloration or blemishes its a combination of heavy cream makeup or airbrush makeup and computer touch up. For everyday wear I recommend a good light cream makeup like Cinema Secrets or RCMA You probably still won't have flawless skin unless you are close to it already. Photoshop (computer) cleans up the imperfections real quickly and easily but that won't help in your day-to-day life.

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TFP shoots never work out for me, what am I doing wrong?  

Anonymous

This article on the subject is worth reading. Click here to go to the article.

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I have a few questions. I am wondering where I can find a video on make up, something that helps teach. Also I am wondering how I can find out about make up shows?

Sherrie

Hi Sherrie,

Try War Paint Magazine. Also, check out www.TheMakeupStudio.com message boards for updated show info. There are artists talking about them well before the show dates.

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What do I need to do as an assistant?

Jessica
Houston Texas

I get a lot of calls and email from people wanting to break into the business and wanting to assist. Most of the time I use them a few times and never again. This is what most artists I know as well as myself look for in an assistant.

1) An assistant should make the key (or the artist who is using them) look good. What ever it takes, help with whatever he or she needs, and always watch to see what it is he or she needs.

2) Never be late to a job, I am always about 20 minutes early, I sit in the car and read or make calls. This way if there is trouble on the way I will still be on time. This is the least you can do.

3) Never handout your card, or make buddies with the art director or production staff. This will insure that you will not work with the artist who hired you again. I know you are looking for future work, but do it on your own time, and best not to try and take it from someone who was nice enough to get work for you.

4) If you are sitting relaxing while the key is working there is a problem. Unless the key asked you to please sit down and take a break you should be working at least as hard as he or she is.

5) Invest in a kit (all the supplies you need to work on your own) If you are lacking supplies you will always be just an assist, no one will want to refer you for a job if you do not have the supplies. I have had so many "artists" call me and tell me that they are artists looking for work but do not yet have a full make-up kit. That is like a photographer without a camera, no one will take you seriously if you have not invested in your career at least this much.

I started as an assistant and this worked for me, I was a popular assistant and finally the artists stared giving my name out when they were busy. Established artists are where your best work can come from so treat them well.

Never talk poorly about another artist, it will come back to haunt you. The last thing you need is any artist (even a bad one) to harbor resentment toward you. The more friends you have in this business the better you will do. Try not to look at other artists as your competition, look at them as you colleagues and you will do a lot better, and be happier, you may find your best friends in this business. I know I have.

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What licenses do you need in CA for hair, make up, and to be called a stylist?

Madonna Junior
San Diego

There is no License in California for freelance makeup artistry. If you cut and color hair you need a cosmetology lic. If you do makeup in a salon you need a cosmetology lic. Most professional makeup artists (TV, film, Photography) do not have cosmetology licenses. I see no need for one unless you want to do hair in a salon, or if you want to work in a salon.

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After seeing your website I realize as a new make-up artist I have a lot of work to do! I just moved to LA from Boston where I work as a regional make-up artist for Chanel and then for Lancôme. Before I moved I was working for Aveda in a Day Spa and a Lifestyle store. I've also been doing brides for about 7 years (I'm 28)... Trying to get started in LA has been pretty tough... I'm currently working on a new portfolio (my old is one is just that, old). Do you have any advice?
I loved your work... especially the transformations. Thanks for reading, and good luck to you... I am a fan!
Teri
Los Angeles


Thank You! The transformations are my favorite as well, keep in mind however they are not part of the portfolio I carry, for some reason this is seen as unprofessional (I have no idea why) so I only put them on my website. It sounds like you are on the right track with your career; putting together an awesome portfolio is your first step and the most important. Make sure it is only about 15 photos and make sure that each photo is great!! Make sure every photo in your portfolio is good photography using a good model and of course great makeup, hair and styling. One big mistake a lot of artists make is that they chose photos with good makeup and hair and take the photos out to show photographers who are turned off by the photo; they do not even notice the hair and makeup. This mistake cost me a lot of work in the past! Do not bother to work with a photographer or model that will not produce very professional prints for you. This will be one of your toughest challenges.
   

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I loved your site. You do excellent work. :-)   I was wondering if I could get some information from you. I am interested in becoming a stylist. How did you get started? Did you have any special training? I am a recent graduate of the Fashion Institute of Design and Merchandising, with a degree in Fashion Merchandising and Marketing but was wondering if that was enough, or if there were any special classes I should take. Any information you could give me would be appreciated.

Sarani

Thank You for the nice compliment, I am asked this question a lot and you will find the answer probably not what you would expect.

In San Diego most production companies and photographers do not like to hire Makeup/Hair and Wardrobe stylists separately. Most would prefer to hire a makeup artist that does hair and wardrobe, as this saves money and we are not a big commercial market like Los Angeles and New York where the budgets tend to be bigger. Consequently over the years as a makeup artist (over 20 years now) I learned to do hair and wardrobe styling. I learned by watching others and by using my own creativity that I believe comes naturally to most artists. I never did go to a fashion school of any kind but I grew up spending hours a day cutting out photos of models clothing styles that I liked and going through every fashion magazine I could find to view the styles, hair and makeup.

I do not want to imply that fashion school is a waste of time, learning is never a waste. Please keep in mind also that I am not primarily a fashion stylist. I consider myself first a Makeup artist and this has always been my main pursuit, fashion styling just happens to be part of that job description where I am located.

Good Luck to you!

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I am a freelance make up artist and have been for 5 years. I have a problem that only occurs once every 4 or five months. Can you think of a reason as to why when I apply foundation to some darker skin types it seems to get absorbed rapidly by the skin causing it to look blotchy?

Nicole
Toronto, ON

I have found this problem with people using any product on their skin that makes the skin peel. Alpha Hydroxy and Retin A users usually have skin that is peeling in places but you can not see it with the naked eye. The foundation will adhere unevenly to the skin, be sure and moisturize the skin well before application of your foundation on these people. Now with dark skin I do not recommend moisture because normally you will find it to be oily skin to begin with so try an oil control gel or cream so that you have an all over even skin texture to start with. One more tip with dark skin; if I have an African American client with pretty good looking skin I try to just even it out with coverage only in the needed areas, I try to avoid foundation all over the face if I can.

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Thanks for taking the time to answer my question. I have another for you. What is it in some foundation that can cause a white cast or masked look when a picture is taken. I mean, the color is not too light but when you look back there is a white masked effect left.

Nicole
Toronto, ON

Very good question! Makeup has a different light reflective quality then does the natural skin. When doing makeup for the purpose of photography always match the face to the chest and not the neck or chin area unless it is just a head shot, this gives the model even all over one color. A lot of times this will make the face a few shades darker, that is ok as long as you do not ignore the neck and ears and make sure your coverage is complete. When you powder go all the way to the chest as powder has its own light reflection qualities. One last thing, make sure your foundation is a high pigment foundation so you are not using too much and covering the natural skin too heavy. Try Cinema Secrets or RMCA cream foundation for photography, these are my favorite, though any high pigment, professional cream foundation should work. Make sure your powder is translucent and does not change the color of your makeup. Try oil blotting powder by Camera Ready Cosmetic.

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I looked at your site and thought it was great. I was wondering if it wasn't too much trouble if you could give me some advice? Maybe some words of wisdom of things I should be doing, things I should avoid, or things I might try. I live in Toronto, Canada. I don't find it hard to get work, but I don't have a car at the moment and I'm not really advertising myself yet until I'm more mobile. I was also wondering if you could tell me what type of products you use and recommend?

Lisa Hilder
Toronto Canada

Thank you for the compliments on my site. That is the work of a great Webmaster!

You will have to have reliable transportation in this business so I would suggest you have that before trying to secure work. I do not know a lot about the Canadian film industry and I really stay out of the film industry here because it doesn't pay well. The film industry is great if you have a lot of stamina and energy for the long hours etc. I don’t. I enjoy the short photo shoots and 1-day commercials myself. I like a slow pace but it is hard to compete in the business of freelance that I have chosen.

You asked what products I recommend. Well, I use a lot of different products. I use Cinema Secrets and RCMA mostly for foundation. I like the Camera Ready powders, blushes and shadows. I use Cinema Secrets lipstick and Max Factor 2000 Calorie Mascara, those are my favorites but I am not real loyal to any product; if it works I use it and the less expensive the better.

You also asked for general advice on the business. I will refer you to my questions page where I have answered this question but will add here that it is important to surround yourself with people you can trust and that you admire and try not to look at other artists as your competition, picture them as your friends and colleagues, they can be of great help to you and you can help them. Artists that stick together and help each other out do better individually as well.

Good Luck to you, please write me if you have any further questions.

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Thank you for coming to the Photo Expo to speak. You should have your own seminar all to yourself!  Your work is amazing.

How much should I budget for a Hair and Makeup Artist?  Do you do both - or do I have to hire another person that just does hair? What is a common rate for headshots?

Jeffrey Scott
Honolulu, HI

Thank You for the compliment!. Your price for a makeup artist will be different depending on the market you are in and what you need. If you are doing a commercial shoot in San Diego your artist will cost about $600.00 to $700.00 a day. If you are in Florida doing the same shoot that will be a few hundred less. Los Angeles would be one of the highest in the country right now. I am not sure about Hawaii but if you call around to a few agents you find out quickly what your average price would be. To answer your question on hair, most make-up artists do minimal hair styling for shoots. You will find a few like myself that do both on a regular basis. Most artists charge about $100.00 to $200.00 to do the hair and makeup and go. I find here in San Diego that most of the talent find this price reasonable and do not have a problem with making this further investment in their career. If they think they can do it on their own they are wrong and have not done the proper homework on the career they are attempting to enter. Seasoned talent never question that they need an Artist.

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I am in San Antonio, TX. How do I find a good make-up artist?

JG
San Antonio, TX

There are a few ways you can find a good artist. Contact your local film commission for names. Contact other photographers in your area that use artists, your best source would be high end commercial and fashion photographers in your area, they will know who the best are.

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I am not sure what I should ask make-up artists when I interview them?

Ken Lester
San Francisco, CA

There are a lot of question you should ask I will give you a few of the most important ones:

Look through their portfolio and pick out a few very impressive photos, ask who shot them and then call the photographer to make sure the book is valid and that the artist consistently does a good job. There are artists with photos in their book that they did not work on, you need to verify that this artist has her or his own work in the book.

You might ask the following questions:

Artists trained in print tend to cost more and be a bit more exacting, these artists are perfectionists. Don’t ever settle for a TV trained artist on a print job unless you can tell by looking at their portfolio that they are very good with print makeup. If you are on a budget and find a cheap artist, chances are you have found a TV/video/film artist and chances are you will NOT be happy with the makeup they apply for photography.

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What products should I keep around for my customers that do not use make-up artists?

Jerry
San Diego, CA

A few musts are:

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I had an artist do a shoot for me and the model was African American, the make-up looked very ashy what happened?

Anonymous

Probably the artist applied a foundation or powder that was too light or had too much pink in it. If you think the client looks ashy, take a Polaroid and check it out ask the artist if he or she thinks it looks ashy. This problem can be fixed with a powder that matches the skin usually. That is why you need to have dark powders on hand. Camera Ready Cosmetics has a very dark color. Not every artist has a variety of powder; If the artist does not do make-up on a lot of African American clients they may not have real dark powder so be prepared to have a few supplies on hand!

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I am a new fashion stylist and I would like to know if there is any advice you could offer me. I live in the Atlanta area. This is where my heart is at and I am determined to be successful at it. Thanks so much, your portfolio is very impressive.

Toi Mapp
Atlanta, GA

I am going to cheat here and give you the rules I try to live and work by, it is Keough's Commandments for LOSING by Don Keough, CEO, Coca-Cola. Keep in mind these are rules for losing not winning.

1. Quit taking risks.
2. Be content.
3. Before you make any move, always ask yourself, "What will the investors think?"
4. Avoid Change.
5. Be totally inflexible - stay on the course, no matter what.
6. Rely totally on research and experts to make decisions for you.
7. Be more concerned with status than service.
8. Concentrate on your competitor instead of your customers.
9. Put yourself first in everything you do, ahead of your customers and suppliers.
10. Memorize the formula "TGE...That's Good Enough" to set a ceiling on quality.
11. Find a way to rationalize the slowing of growth.

Beyond those basic rules for losing, here are some basics for winning:

1. Never be late.
2. Never forget about a shoot or job.
3. Never be unprofessional.
4. Never talk poorly about your competition.
5. Never gossip about people you work for or with.
6. Give 110% always even when you do not feel like it.

This covers what I consider important to succeed, the things they don't teach you in fashion school or make-up school, and that is a shame. Good luck to you!

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Hello Mary,

Your website is awesome....you answer questions very thoroughly. I'm looking to do make-up in the retail industry but have no training or education in make-up application. I would love to work for make up counters such as M.A.C., Estee Lauder, Shisedo, etc.....I was thinking about attending Make up Designory school in order to impress my employers to get a job. I also have 6 yrs. customer service which will help me out a great deal. What schools do you recommend and what steps should I take in order to become a make up artist in the retail industry? Eventually, I would like to do fashion shows, is this difficult to get into and I would also need a great portfolio for this correct?

Thank you mary for your time and effort!! You're awesome!!

Sandra
Cypress, CA

Hi,

For the retail industry I think school would be a waste. Retail is sales and they are looking more at your ability to sell makeup then do makeup. Your personality and appearance is more important in this industry then your ability to do makeup. You may take a basic lesson from an artist if they are going to have you do a demo (MAC will have you do a demo) but I would not invest a bunch of money. That's my advice, good luck.

Mary

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Hi Mary...I love your site. It is a great source of information for someone like me who has just started out in this business. My question is, how important is air brushing in the industry now, the reason I am asking this is that I am about to enroll in a workshop that teaches airbrushing and it is not cheap. what is the scope for it in the future, is it worth learning or not? Thanx

Shep
Toronto, Canada

Hi,

Yes, it is worth learning but all classes are not worth taking. Make sure you are taking a good one and not one that's over priced. Suzanne Patterson has a great class, I have taken it myself. Her website is www.creativeartistryfx.com. Knowing Airbrush is valuable because a lot of people are requesting airbrush, you need to be ready in case you get that request. High Definition and brides are both instances you may be asked to airbrush. Good Luck. Mary

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Hello, could you tell us whether the modeling company that our daughter joined up with is legitimate. The company says it is a model management company rather than an agency. They are called _________. I appreciate any opinion you might have! Thank You

Mom in San Diego

I hate to tell you that ________is a waste of time and money....it's not necessarily a scam but they DO NOT get models work, they may say they do but they do not... Most paying clients go to agents rather than websites to find models...they may go to an agency website to look at models but then they hire them from the agency.

These are things to look out for...these are warning signs that you have a scam or what we call a photo mill.

- Charging for anything....web listing, photos, etc

- Referring you to a particular photographer for pictures or taking pictures for money themselves (this means they are probably taking a kick back and you are getting a photoshoot worth nothing to about $200.00 and the company is keeping the rest. This is how many of these companies stay in business.

- Offering classes of any kind (models don't need classes, even for runway) these are things a real agent will instruct you on for free as you move a long your career.

These are a list of legit agents in San Diego, the ones that get models work (paying work) -- List deleted here (please for the list.

I suggest that you take POLOROIDS with no makeup and send them to the above agents with her stats and ask for an appointment... After you send the Polaroid's call them and ask if they did receive them and ask for an interview.

If you daughter does not have self confidence and doesn't take rejection well I would advise you not to do any of these things because models hear "NO" most of the time...they hear, you are too short, too fat, too skinny, your nose is big, your feet are ugly etc.... They all go through this and it does hurt, even the really strong girls can be devastated by some of the things they hear.

I hope that helps... Also, never pay for portfolio photos until an agent tells you to, a legit agency will give you a list of recommended photographers and if you don't go to one that agent prefers you will probably end up re-shooting because they won't like the shots. If there are not at least 2 or 3 photographers on that list or if the agent collects money for the photoshoot, run.

Beware...this business attracts all kinds of shadey types, they see girls and guys that dream of being a model and prey on them.

Mary

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